CORE contemporary art

One of the reasons I have chosen organic forms in my work is due to my surroundings. I live and grew up in a village area, immersed in the presence of organic flora and fauna on a daily basis. My life as an artist has led me to contemplate the nature created by God, which manifests in enticing organic forms that inspire and influence my artistic production. Furthermore, the assortment of organic forms and the range of color combinations in my work symbolize my personal journey to adeptly organize and navigate life’s challenges in various forms and colors, especially amidst the modern world of urbanization. At times, these challenges may even test my beliefs and identity as a Muslim and a Malay, if left uncontrolled.

From a physical perspective, my artworks incorporate a combination of wood and fiberglass as materials. I have chosen wood and fiberglass due to my familiarity and expertise in working with them. The fiberglass surface represents the modern world of urbanization, while the wooden surface signifies my identity as a Muslim and a Malay.

Nor Tijan Firdaus

My latest work explores the complex relationship between consumerism and the need for financial stability. In a world where our value is often defined by the things we own and the brands we wear, it’s easy to feel like we’re constantly chasing after the next big purchase. But what happens when we don’t have the means to keep up with this never-ending cycle of consumption? What happens when we’re forced to scavenge for materials, repurpose discarded objects, and make do with what we have?

My work is a reflection of these questions. Using college discarded material, I aim to highlight the wastefulness of our society and the potential of discarded items to be transformed into something beautiful and meaningful. By repurposing these materials, I’m also making a statement about the commodification of art and the pressure on artists to produce work that is marketable and profitable.

Suhaimi Fadzir

This work is a part of my Neon Series that started in the 1990s. It is an exploration of various spatial methods that include lighting through painting, sculpture, installation and architecture.

Kekaguman Kecantikan Alam, highlights layers of the color spectrum around us, from big phenomena like the big bang, nebula, galaxy, etc. to small miracles like our own everyday sustenance.

Syafiq Hariz

The artwork Introverted Blooms is an exploration of the relationship between introversion and the natural world. Through the use of muted colors and delicate brushwork, I aim to capture the quiet beauty of flowers in isolation. The flowers are depicted as introverted beings themselves, introspectively turning inward as they bloom. The composition of the piece is intentionally sparse, evoking a sense of stillness and introspection. My hope is that viewers will be able to connect with the introspective qualities of the blooms and find a sense of peace and reflection within themselves.